Art under Neoliberalism

Abstract Apart from the longstanding and much-debated problem of art's commodification, how does neoliberalism transform determine conditions artistic practice? Further, if is a substantially distinct stage in history capitalism, not merely its intensification, what are implications this new condition for practice criticism contemporary art? What it mean to theorize art, be an artist or critic, under neoliberalism? Drawing on central topic issue, aesthetic, artistic, political radicality art still possible neoliberal condition? Can, should, constitute significant site resistance? Conversely, world paradigmatic case of, even model for, capitalism?